June 19, 2020

Antonio Caldara. Crucifixus, for chorus & organ. Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook · twitter · tumblr. Results 1 – 10 of 11 This page lists all recordings of Crucifixus a 16 voci by Antonio Caldara (c ). Antonio Caldara ( – 28 December ) was an Italian Baroque composer. Caldara was ); D’improvviso (cantata); “Alma del core” (aria); “Selve amiche” (aria); Missa Dolorosa (); Crucifixus; Template:Come Ragio di Sol.

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This beautiful and moving setting in voice parts is by a composer equally influenced by the Venetian and then Viennese styles of the time.

A Baroque basso continuo lays a firm foundation caldata the work, allowing great contrapuntal movement in the higher voices. This was what evolved of the “prima prattica” old style by the late Baroque, the old polyphony was mixed with the daldara harmonic and other expressive compositional devices. Because Caldara sets several phrases of the text simultaneously, he gives each phrase a different musical gesture that allows the whole to be heard clearly: Beautiful non-chordal suspensions draw out the emotional tension of the body of the work.


A remarkable and unusual succession of dominant seventh chords is reached toward the end, appearing naturally and skillfully from the previous counterpoint, creating the sensation of a magnificent yet unresolved journey.

Suddenly there is a grand pause.

Then the work concludes with an extended yet peaceful cadence. An excellent introduction to Caldara’s work, which should be followed by listening to his brilliant setting crucifius the “Stabat Mater”. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Jazz Latin New Age.

Caldara: Crucifixus a 16 voci (page 1 of 2) | Presto Classical

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Crucifixus, for chorus & organ

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Share on facebook twitter tumblr. Stabat Mater; Miserere II. A Banquet of Voices. Hear My Prayer Choral Favourites.

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